Courtesy of the Academy/Ye Fan
Photograph by Hannah Reyes Morales
Photograph by Hannah Reyes Morales
The New York Times: The Sinners Cinematographer says They ‘All Had a Lot on the Line’
American Cinematographer: Sinners: Big Bold Blues and Blood
American Cinematographer: Full Picture: Autumn Durald Arkapaw, ASC
VOGUE Australia: Deep Focus: Autumn Durald Askapaw has her eye on the lens
Film & Digital Times: Autumn Durald Arkapaw, ASC on Black Panther
In Conversation with Autumn Durald & Bradford Young : Wakanda Forever
British Cinematographer: Autumn Durald Arkapaw ASC / Black Panther: Wakanda Forever
“Anamorphic’s Biggest Fan”: DP Autumn Durald Arkapaw on Black Panther: Wakanda Forever
Filmmaker Magazine: DP Autumn Durald Arkapaw on Loki
American Cinematographer Magazine: “It’s All Happening: Autumn Durald Arkapaw”
American Cinematographer Magazine: Shot Craft, Anatomy of a scene, Loki
Panavision: Villainy Never Looked So Good
ASC Clubhouse Conversations: Loki
British Cinematographer: Autumn Durald Arkapaw Lenses Teen Spirit
“Teen Spirit” Review: Elle Fanning sings her heart out in Max Minghella’s directorial debut
Framework: A Visual Breakdown With Autumn Durald
Variety's 10 Cinematographers To Watch
Variety: Below the Line Impact Report – Up Next
Indiewire: On The Rise: Cinematographers To Watch
Musicbed: Cinematographers Autumn Durald and Rachel Morrison on filmmaking and Motherhood
Indiewire: 'Palo Alto' DP Autumn Durald On Being a Female Cinematographer
Indiewire: 9 Cinematographers You Should Follow on Instagram
Fim + Music Interview "No Plan: A Conversation With Autumn Durald"
Sound & Picture Magazine "Palo Alto: DP Autumn Durald recounts the subtleties of lighting a love story"
American Cinematographer "Fatherly Fireworks"
"working with gifted cinematographer Autumn Cheyenne Durald, gives the film a dreamlike quality that's eons away from standard coming-of-age clichés."
- Peter Travers, Rolling Stone
Rolling Stone, Palo Alto Review
"working with her director of photography, Autumn Cheyenne Durald, and under the obvious influence of the cinematographer Harris Savides, who shot some of Gus Van Sant’s most beautiful films — pulls you into with color, light and feelings as lovely as caresses."
- Manohla Dargis, New York Times
New York Times "Palo Alto,’ About Adolescents Stumbling Toward Adulthood"
"and striking Steadicam lensing by gifted female d.p. Autumn Durald buffers everything from harsh realism, allowing a slightly dreamlike quality into the proceedings."
- Peter Debruge, Variety
Variety "Telluride Film Review: Palo Alto"
Lula Magazine "Shooting Stars"
The Hollywood Reporter: 'Palo Alto' Cinematographer on James Franco and Sensitive Subject Matter
Kodak InCamera Magazine: "The Story of a Man in a Room"